Nigel's Dream - New Album Now Available!!!

  1. Belamina
  2. Unfortunate Rag
  3. Nigel's Dream
  4. Levee Waltz
  5. Tangled Blues
  6. Dusting The Frets
  7. Springtime Strut
  8. Jazz Battle
  9. Bouncing Around
  10. Any Old Time
  11. Fireworks
  12. Oh Red
  13. Some Cold Rainy Day
  14. Dream Shadows

Who is Tuba Skinny?

Formed in in 2009, Tuba Skinny has steadily evolved from a loose collection of street musicians into a solid ensemble dedicated to bringing the traditional New Orleans sound to audiences around the world. Drawing on a wide range of musical influences—from spirituals to Depression-era blues, from ragtime to traditional jazz—their sound evokes the rich musical heritage of their New Orleans home. The band has gained a loyal following through their distinctive sound, their commitment to reviving long-lost songs, and their barnstorming live performances.

Blue Chime Stomp & Owl Call Blues - Now Available on Vinyl!

Still mining the early jazz, blues and ragtime that have made them local favorites, this New Orleans combo is not only reaching further into the archives but also polishing originals that fit nearly seamlessly into the catalogue.

... the strength of these young trad jazz players remains their ensemble work. In tune after tune, the core instrumental sextet nails the classic New Orleans contrapuntal collective improvisation, instantly evoking another era while at the same time delightfully of the moment.
— Clea Simon (Offbeat, April 2016)
To call Tuba Skinny revivalists would be to miss the point. The New Orleans ensemble, often seen busking on Royal Street, have never conceded the death of the early jazz and blues they play. In their able hands, a tune like “Willie the Weeper” (likely written around 1904) is as relevant as ever. That’s a tribute to the masterful ease of these relatively young musicians who laze and weave around each other as if bebop never happened. Alternating solos and call-and-response vocals (notable on “Short Dress Gal”) on this, their sixth release, the eight players here show a comfortable fluency in their pre-1940s idioms.
— Clea Simon (Offbeat, October 2014)